Mozart and Midi
Torsten Anders
t.anders at qub.ac.uk
Tue Jun 3 22:44:04 CEST 2003
Dear Maarten,
Thanks for your reply.
On Tue, 2003-06-03 at 18:28, Maarten van den Dungen wrote:
> It [...] learns from this input patterns and tries to create similar pattern in return.
Thank you for your explanation. Could you please tell a little bit more
detailed how you did the pattern processing?
You probably know the related scientific work on pattern and music.
Otherwise I allow myself to mention just a few researches working in the
field (just what comes to my mind tonight ;-).
- David Cope (http://arts.ucsc.edu/faculty/cope/) extracts patterns
typical for certain musical styles and uses them as one important aspect
for style imitation.
Technically most detailed (as far as I know) is his book "Computers and
Musical Style" (The Computer Music and Digital Audio Series, Vol 6),
1991
- The program Continuator by François Pachet
(http://www.csl.sony.fr/~pachet/) collects patterns from real time
input, encodes them by markov chains and generates new output from that.
- Darrel Conklin
(http://www.informatik.uni-trier.de/~ley/db/indices/a-tree/c/Conklin%3ADarrell.html)
searches whole music corpora for what he calls 'viewpoint pattern'
(patterns on e.g. pitch successions, interval successions, interval
direction succession ...) to better understand what a musical style
constitutes.
Sorry, if you knew all this already.
Best,
Torsten
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